coloristfactory – Ultimate Colorist Toolkit Vol. 3 Crack Fast Download
Stress-tested, tone-perfected Time-Based LUTs and Power Grades for Colorists and Filmmakers.
Inspiration & Motive
The majority of films made on film up to this point have been reprinted on a very particular film stock before being released. The 2383 Kodak Stock is used to print all of the films shown in the following illustration. All three images, while displaying a distinct mood (in terms of color), have the general appearance and features of Kodak 2383 Print Film Stock, despite the fact that they were taken at separate times. In the course of dissecting the appearance, we not only looked at the film stock samples, but we also looked at all of the films printed on 2383 Stock with great attention to detail.
Tree of life, Dir. Terrance Mallik
Cinematography: Emmanuel Lubezki
Colorist: Bryan McMahan
The Revenant, Dir: Alejandro González Iñárritu
Cinematography: Emmanuel Lubezki
Color: Loren White
Dune (2021), Dir. Denis Villeneuve
Cinematography: Greig Fraser
Colorist: Dave Cole
What are time-based LUTs?
The “time-based” image processing algorithm underpins the 108 LUTs included in Ultimate Colorist Toolkit 3.0 (UCT). Our proprietary information-processing algorithm deeply understands Recursive real-world film patterns. Our LUTs have been methodically constructed into four unique categories based on the patterns. No matter how little experience you have with color grading, UCT is likely to provide you with a substantial boost in productivity.
Our primary LUTs are divided into four categories: Sunlight, Sundown, Dusk, and inside. Kodak and Fuji Film Negative LUTs, 3 Powerful Davinci Resolve Power Grades, and Minimal LUTs are two new categories in version 3.0, which expands our current offering. As an added bonus, the Film Textures Pack Upgrade is included as well.
Expected Color Space: Standard Rec 709
Sphere LUT from “Contemporary Tonal” Category
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